LIPS TOUCH THREE TIMES by Laini Taylor; illustrated by Jim Di Bartolo (Arthur A. Levine, 2009).
Sometimes I read a book and I don't want to talk about it. It's just too... I'm not sure what words to use. It's an impulse I have to be quiet and hold it to my chest because talking would fail to communicate what it was about the book that resonated so deeply with me. It's an impulse to hand it to people without ever discussing it, because I don't want to know what it meant to them any more than I want them to know what it meant to me. It doesn't happen often, but it does happen.
Just recently, it happened with Lips Touch Three Times by Laini Taylor, (which was short listed for the National Book Award), a collection of three novellas rooted deeply in fairy tales and mythology, and... yeah. I can't say much more, other than that it surprised me. So, though it is ostensibly a YA title, the stories are fierce and brutal and delicate too, and should not be overlooked based on marketing alone. So please read it, if you are so inclined. It would please me if you did. Then we could not talk about it together....
Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts
September 1, 2012
Lips Touch Three Times
Labels:
contemporary,
fairy tale,
fantasy,
historical,
mythology,
romance,
short stories,
YA
August 25, 2012
Clockwork Angel
CLOCKWORK ANGEL: The Infernal Devices Trilogy, Book 1 by Cassandra Clare, (Simon & Schuster, 2010)
Though most definitely a YA title, Cassandra Clare's nod to the Victorian novel, Clockwork Angel, is a slightly flawed though undeniably compelling beach read, particularly if you enjoy foggy beaches on the English coast. It's hard to resist a writer who uses the word "ichor"more than once. Don't believe me? Check out my REVIEW at Twisby Hall....
GENRE: Paranormal Romance / Historical Fantasy
AGE: 14 and up - though I can see adults gobbling this up too.
Though most definitely a YA title, Cassandra Clare's nod to the Victorian novel, Clockwork Angel, is a slightly flawed though undeniably compelling beach read, particularly if you enjoy foggy beaches on the English coast. It's hard to resist a writer who uses the word "ichor"more than once. Don't believe me? Check out my REVIEW at Twisby Hall....
August 15, 2012
Wolf Gift
THE WOLF GIFT by Anne Rice, (Knopf, 2012)
GENRE: Literary Horror / Existential Treatise
Anne Rice, the woman who turned the tide of how we perceive monsters with her tortured, sympathetic vampires and her tortured, sympathetic witches, went far afield in recent years, exploring the nature of good and evil in books populated by angels and demons and Jesus Christ. With The Wolf Gift, however, she returns to her old stomping grounds, giving us the existential musings of Ruben, a not-too-tortured but quite sympathetic werewolf.
At the start of the novel, Ruben Golding is a handsome and thoughtful, if somewhat wayward, young man, slouching successfully through the beginnings of a promising career in journalism while the women in his life rev forward in a blaze of professional ambition. But Ruben is destined for greater, stranger things. On a trip up the Mendocino coast to interview the mysterious and lovely Marchent Nideck, Ruben is attacked and bitten by a creature thought to be a wolf. Over the course of the following month, his senses sharpen and he grows physically even more impressive as his metabolism transforms and he becomes, yes, a werewolf. Driven by bloodlust and an instinctual urge to protect and avenge the innocent, Ruben rips through a nice collection of San Francisco's bad guys and, in the process, creates a public sensation in the form of the Man Wolf, a dark, avenging hero. What follows are Ruben's attempts to reconcile the two halves of his nature - the man's and the predator's - while learning about the true nature of lycanthropy, falling in love with a sexy older woman, and trying to uncover the mystery of the previous generation of werewolves before they kill him, all while dodging an Evil Eastern European Doctor (tm) hell bent of eradicating his kind. Needless to say, there's a lot going on.
Sprinkled in and among all of this are plenty of musings on religion, God and the nature of good and evil, (some at such interruptive length that they try the reader's patience). As with Lestat, Rice clearly loves Ruben. She has made him a nearly unbelievable idyll, with an MA at 20, a penchant for existential musings and religious philosophy, and the uncanny ability to quote obscure short stories without a second thought. This is not a bad thing, it's just that one must suspend a great deal of disbelief to buy into Ruben as a character. But, if you let go of the expectation that he could be a real person (lycanthropy or no) and is, rather, simply a construct of Rice's imagination, the entire thing is easier and much more pleasurable to read. Ultimately, The Wolf Gift contains many elements that fans will recognize from the Vampire Chronicles and the Mayfair Witches. For non-fans, the mannered language, tepid climax and mild, cliffhanger ending may fail to work, but for the legion of readers that have been waiting for her to return to her monsters, The Wolf Gift will be a welcome homecoming.
GENRE: Literary Horror / Existential Treatise
Anne Rice, the woman who turned the tide of how we perceive monsters with her tortured, sympathetic vampires and her tortured, sympathetic witches, went far afield in recent years, exploring the nature of good and evil in books populated by angels and demons and Jesus Christ. With The Wolf Gift, however, she returns to her old stomping grounds, giving us the existential musings of Ruben, a not-too-tortured but quite sympathetic werewolf.
At the start of the novel, Ruben Golding is a handsome and thoughtful, if somewhat wayward, young man, slouching successfully through the beginnings of a promising career in journalism while the women in his life rev forward in a blaze of professional ambition. But Ruben is destined for greater, stranger things. On a trip up the Mendocino coast to interview the mysterious and lovely Marchent Nideck, Ruben is attacked and bitten by a creature thought to be a wolf. Over the course of the following month, his senses sharpen and he grows physically even more impressive as his metabolism transforms and he becomes, yes, a werewolf. Driven by bloodlust and an instinctual urge to protect and avenge the innocent, Ruben rips through a nice collection of San Francisco's bad guys and, in the process, creates a public sensation in the form of the Man Wolf, a dark, avenging hero. What follows are Ruben's attempts to reconcile the two halves of his nature - the man's and the predator's - while learning about the true nature of lycanthropy, falling in love with a sexy older woman, and trying to uncover the mystery of the previous generation of werewolves before they kill him, all while dodging an Evil Eastern European Doctor (tm) hell bent of eradicating his kind. Needless to say, there's a lot going on.
Sprinkled in and among all of this are plenty of musings on religion, God and the nature of good and evil, (some at such interruptive length that they try the reader's patience). As with Lestat, Rice clearly loves Ruben. She has made him a nearly unbelievable idyll, with an MA at 20, a penchant for existential musings and religious philosophy, and the uncanny ability to quote obscure short stories without a second thought. This is not a bad thing, it's just that one must suspend a great deal of disbelief to buy into Ruben as a character. But, if you let go of the expectation that he could be a real person (lycanthropy or no) and is, rather, simply a construct of Rice's imagination, the entire thing is easier and much more pleasurable to read. Ultimately, The Wolf Gift contains many elements that fans will recognize from the Vampire Chronicles and the Mayfair Witches. For non-fans, the mannered language, tepid climax and mild, cliffhanger ending may fail to work, but for the legion of readers that have been waiting for her to return to her monsters, The Wolf Gift will be a welcome homecoming.
June 13, 2012
Ella Enchanted
Ella Enchanted by Gail Carson Levine (Harper Collins,
1997)
Fantasy / Fairy Tales / Romance
When Ella of Frell is born, the fairy Lucinda
bestows a gift upon her – the gift of obedience – which turns out to be a
terrible curse. As a result, Ella must find ways to assert herself despite the
constant threat of obedience (if someone told her to cut off her head, she
would have to). Ella’s naturally independent nature grows stronger with every
challenge, despite, or perhaps because of, the curse. A clever, genuinely funny
adaptation on the Cinderella tale, Ella Enchanted is the story of a cursed girl
who becomes a woman capable of saving herself.
This is a wonderful book for reluctant YA and tween
readers – especially girls. The story is just recognizable enough to feel
familiar to anyone who has heard of Cinderella, but it deviates substantially from
the classic girl-as-victim plot, giving the reader a spunky, empowering heroine
she can relate to. The humor, romantic elements, and first-person narrative
make it a truly accessible, charming read.
Subscribe to:
Posts (Atom)